Lomography Color Negative ISO 100 Film Sample Photos
Looking for Lomography Color Negative ISO 100 sample photos? This gallery mixes 120 medium-format squares and 35mm portraits on the same ISO 100 C-41 color-negative stock. Earlier architecture frames used a Yashica Mat 124 in Monterrey, Mexico; Hasselblad 500 CM portraits follow; the Zeiss Ikon ZM 35mm set is at the end.
The first frame is the bell tower of Catedral Metropolitana de Monterrey. The next two are at MARCO (Museo de Arte Contemporáneo de Monterrey), designed by Ricardo Legorreta in 1991: Juan Soriano’s bronze La Paloma in the salmon-pink courtyard, then the plaza with the marco lettering, purple columns, and stairs. Luis Barragán did not design this museum (his house-museum is in Mexico City); Soriano’s dove is often described as a homage to Barragán’s Palomar. Developed in Kodak C-41.
Bell tower, Catedral Metropolitana de Monterrey — Lomography Color Negative ISO 100 120, Yashica Mat 124
Lomography Color Negative ISO 100 120 film sample photos
La Paloma by Juan Soriano at MARCO, Monterrey (Ricardo Legorreta) — Lomography Color Negative ISO 100 120, Yashica Mat 124MARCO plaza with La Paloma, purple columns, and stairs — Lomography Color Negative ISO 100 120, Yashica Mat 124Woman in a floral smocked crop top — Lomography Color Negative ISO 100 120, Hasselblad 500 CMYoung woman in a yellow V-neck top — Lomography Color Negative ISO 100 120, Hasselblad 500 CMFrida Kahlo / Two Fridas inspired costume — Lomography Color Negative ISO 100 120, Hasselblad 500 CMYard sale / tree market display — Lomography Color Negative ISO 100 120Woman in red dress looking over shoulder — Lomography Color Negative ISO 100 120, Hasselblad 500 CMWoman in red dress with silver jewelry — Lomography Color Negative ISO 100 120, Hasselblad 500 CM
These 35mm portraits were shot on a Zeiss Ikon ZM with the same Lomography Color Negative ISO 100 stock (daylight C-41 color negative). Four frames were converted to black and white in post-production from the original color negative — they are not black-and-white film.
Cow-print sweatshirt, cross-legged on cinder-block bench — Zeiss Ikon ZM + Lomography Color Negative ISO 100 + 35mmCow-print sweatshirt on bench with bottle and bag — Zeiss Ikon ZM + Lomography Color Negative ISO 100 + 35mm. Converted to black and white in post-production from the original color Lomography Color Negative ISO 100 negative.Cow-print sweatshirt, chin on knuckles — Zeiss Ikon ZM + Lomography Color Negative ISO 100 + 35mmFloral dress in Zip Dee lawn chair with tennis racket — Zeiss Ikon ZM + Lomography Color Negative ISO 100 + 35mmFloral dress, arm raised against textured wall — Zeiss Ikon ZM + Lomography Color Negative ISO 100 + 35mm. Converted to black and white in post-production from the original color Lomography Color Negative ISO 100 negative.Floral dress in lawn chair with tennis racket — Zeiss Ikon ZM + Lomography Color Negative ISO 100 + 35mm. Converted to black and white in post-production from the original color Lomography Color Negative ISO 100 negative.Cow-print on bench with Ultra bottle and bag — Zeiss Ikon ZM + Lomography Color Negative ISO 100 + 35mm. Converted to black and white in post-production from the original color Lomography Color Negative ISO 100 negative.Floral dress, arm over head against yellow stucco — Zeiss Ikon ZM + Lomography Color Negative ISO 100 + 35mmFloral dress, arms crossed behind head against yellow stucco — Zeiss Ikon ZM + Lomography Color Negative ISO 100 + 35mm
Lomography Color Negative ISO 100 is a daylight color-negative film — enough saturation for Monterrey’s cathedral tower and Legorreta’s pink MARCO walls on 120, Hasselblad portraits, and Zeiss Ikon ZM 35mm portraits (including post-production black-and-white conversions from the color negative).
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